How We Gather: Su Legatt

High Visibility: On Location in Rural America and Indian Country

Su Legatt reflects on her upbringing in rural Minnesota, and how her experiences as an artist and advocate for rural communities have shaped her recent work and her sense of where we are headed in both the national conversation on rural culture and in the current forms of support and visibility available to rural artists.

In this episode, Matthew Fluharty speaks with Su Legatt on her upbringing in rural Minnesota, and how her experiences as an artist and advocate for rural communities have shaped her recent work and her sense of where we are headed in both the national conversation on rural culture and in the current forms of support and visibility available to rural artists.

We have a chance in this conversation to see these ideas intersect across her work, notably in her recent series Dish – which celebrates the forms of generational knowledge, local culture, and personal creativity present in the Midwestern potluck.  The events, and the subsequent Dish book all offer, in Su’s words, an opportunity to “bring people together for intimate exchange and the preservation of private moments” and to “collectively build a more complex and complete understanding of Minnesota identity while building new connections and strengthening existing networks.”

Along the way here, Su also shares her work in Advice from Minnesota Grandmothers, which shares some similarities with the Dish events, in that she presents another element of rural everyday life – in this case, the crocheted doily – and offers it as a vessel for a much deeper channel of generational knowledge. Like Dish, it defamiliarizes our associations to objects and practices that we might initially dismiss or overlook. After being with this work, we find surprising bridges between cultures, and some powerful expressions of vulnerability and intimacy, that emerge from these materials.

Su Legatt is an artist, educator, and community organizer. Her photography, installation, and social practice projects explore the quiet, often unnoticed, individual moments of everyday life. Su utilizes a variety of community engagement techniques and crowd-sourcing methods to create opportunities for participants to share with others in the hopes of creating what she describes as “micro-moments of empathy.”

Su is a graduate of Minnesota State University Moorhead and Utah State University and she has taught photography, digital media, and professional development courses at Lake Superior College, Minnesota State University Moorhead, and North Dakota State University and a wide variety of workshops throughout the United States.

She works with various non-profit organizations to organize and create cultural events that help to improve the social structures and relations within each community. As an Arts and Culture Commissioner for the city of Moorhead, Minnesota, Su works with legislators, non- and for-profit organizations, and local artists to support and strengthen the role of the region’s creative community.

Artist photograph above by Amanda Fechtner.

High Visibility is a partnership with Plains Art Museum and Art of the Rural. We are grateful for the support of the Andy Warhol Foundation for the Visual Arts and the National Endowment for the Arts.

About

High Visibility: On Location in Rural America and Indian Country welcomes into conversation artists, culture bearers, and leaders from across rural America and Indian Country. This podcast accompanied the exhibition of the same name at the Plains Art Museum in Fargo, ND, which was on view from November 30, 2020 until May 30, 2021.